The Tribal Eye

The craftsmen of the Dogon people of Mali are among the finest sculptors in the world. The head of each household must tend the wooden cult figures in which the spirits of his ancestors dwell, feeding them regularly with millet and blood to ensure the fertility of the fields, the return of the seasonal rains and the health of the people. Concealed in remote desert shrines, the carvings are as meaningful to the Dogon as the Bible is to the Western world. Without their sculpture, some of the most splendid and crucial events in their lives could not take place.

The Northwest Coast Haida, Gitksan and Kwakiutl Indians inhabit a beautiful, harsh land along the coast of British Columbia and south to Oregon. Pre-eminent carvers of wood, they created totem poles that are among the largest wooden sculptures ever made by man. Integrating footage made of tribal rights by Edward Curtis in 1912, the film contrasts them with those same rights today. The spectacular theatrical genius of these people is particularly vivid during the dance of the cannibal birds known to the Kwakiutl as “the crooked beak of heaven.”

Gold has fascinated people in all cultures, representing in their minds perfection and immortality. In the pre-Columbian Indian civilization of Central and South America native craftsmen fashioned gold into the most exquisite expressions of their culture. Few of the beautiful golden artifacts of the Aztecs and Incas are left today. Most of them were melted down by the pillaging Spanish conquistadors. However, some exquisite pre-Columbian art does still exists, and narrator David Attenborough describes how these were used by priests in practical and ritual fashion, including human sacrifice. He explores the Aztec and Inca sites, describing the lives of the people who occupied them and examining those breath-taking treasures that remain.