Grand Designs Australia

February 2009. Chris Clarke had just spent two years building his minimalist timber and steel dream home at Callignee in Gippsland when, less than a week after completion, it was burnt to the ground in the devastating Black Saturday bushfires. With nothing remaining but a concrete slab and a burnt out shell Chris was left shattered and numb. After recovering from the initial grief he was determined to re-build and re-use every last salvageable element of the original house. What he creates in the year or so following is simply remarkable. By adding sturdy recycled elements with the latest fire resistant materials, Chris sets out to produce a tough, resilient version of the original home (now dubbed Callignee One). Wearing its embattled past as a badge of honour, will Callignee Two not only face up to the Aussie bush?

Architect Domenic Alvaro and his partner Sue Bassett are urban animals who love the inner city suburb of Surry Hills in Sydney. However their dream location comes with a nightmare price tag. So, they come up with a unique way of keeping costs down and do this by buying very small and building very tall. After buying a tiny corner car park measuring 7m x 6m they set out to create 220 square metres of light filled living space. Their vertical build comes together quickly thanks to pre-fab concrete panels which fit together like Lego. Construction itself is fast and efficient but there are interesting challenges on site. A miniscule block and two narrow cross streets won’t submit to the needs of a gigantic crane in a hurry – and the crane is essential as it hauls the huge panels and windows into position. Basically something’s gotta give – and it does. Will the result be worth the hassle?

When Jan and Ed Gillman bought a tumble-down weatherboard in Southport, their first intention was to demolish and start again. But on learning its unique history as the 1880’s summer house of Sir Augustus Gregory (one of the oldest houses in Southport), they decide to restore instead and plan to lift the original house and move it forward two metres on the block. What follows is a painstaking restoration process – and with no official heritage guidelines in place Jan and Ed are faced with a difficult choice: take the laborious path of restoring the house to its former glory or opt for the easier path and lose the history of the house.